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Dimitrova, Kristin
Posted By admin On May 10, 2010 @ 12:32 am In Featured, Kristin Dimitrova, Writers | No Comments
Bio [1] | Synopses [2] | Excerpts [3] | Critical Reviews [4] | Interviews [5] | Contact [6] | Related Links [7]
Kristin Dimitrova, born in 1963 in Sofia, has won six national awards for poetry, four for fiction and two for poetry translation, among others. She graduated in English and American studies from Sofia University, where she now works in the Department of Foreign Languages. Poems, short stories, essays and books by Kristin Dimitrova have been published in anthologies and literary journals in 38 countries and translated into 28 languages. She has been an editor of Art Trud, the weekly supplement for arts and culture of Trud Daily, and a columnist for the Klasa Daily. Dimitrova holds a Doctoral Degree in journalism and mass communications.
Shortlisted for:
Kristin Dimitrova’s short story Black Pages has been included in Hayden’s Ferry Review, Issue #51 [9]; Altazor, Dec. 2020; Dainikbangla, 2020; Blackbox Manifold 23, 2020; Casa Del Tiempo 59, 2019; Ærea 12, 2018; Ein fremder Freund. Bulgarische Erzählungen aus dem 21; 2017; Vidi, Poezia!, 2017; Words without Borders, USA, 2017; The Long White Thread of Words, anthology, Smonestack, UK, 2016, Antologia para la mariposa, 2016, etc. Her poems and short stories have been published in Austria, Armenia, Belarus, Belgium, Bosnia and Herzegovina, Canada, Chile, China, Colombia, Croatia, Czech Republic, France, Germany, Greece, Hungary, Iceland, India, Ireland, Israel, Italy, Jordan, Lithuania, Macedonia, Mexico, The Netherlands, New Zealand, Poland, Romania, Russia, Slovakia, Slovenia, Serbia, Spain, Switzerland, Sweden, Turkey, UK and USA.
Synopsis of the novel Sabazius by Kristin Dimitrova
(The novel is based on two ancient Greek myths, both of Thracian origin: the tales of Sabazius and of Orpheus. Their parallel stories are intertwined in a common plot taking place in present day Bulgaria. Before each chapter a fragment of the original myth, which is about to be tackled, is rendered briefly. The narrative, however, transports the myth in our times, using the symbolism, cast of characters and general outlines of the ancient story. Significant details tie up the threads of “now” and “then”. The synopsis follows the present day account of events.
Sabazius is the Thracian-Phrygian name of Dionysus. According to myth, Sabazius and Orpheus are distant relatives. The two Thracians share still another characteristic: they both experience death, which is uncommon for the Olympic gods in general.)
Orpheus is already in his early thirties, but is still torn between the desire to make a name as a professional musician and the necessity to earn a living. His wife, Eurydice, is an unemployed actress and his father, Apollo, is an important figure of the former Bulgarian literary avant garde. Orpheus is in conflict with him and wants to do things in his own way, but cannot afford to leave his father’s large apartment. Every Friday he plays with his group in a nightclub.
One day Orpheus receives an invitation from a shady relative whom he hasn’t seen for a long time. He has even thought him dead. This is Sabazius, who is five years older than himself and whose name has been generally evaded in family conversations. To Orpheus’ surprise, his relative has moved into a posh office and is doing remarkably well. Sabazius tells Orpheus that a new TV channel is searching for a talk-show host and insistently suggests he take the job.
Orpheus sees the offer as a chance to get out of his father’s financial tutelage, so he accepts it. His independence, however, is bought at a high price. His new job consumes all his time while Eurydice, still without luck at castings, stays alone at home.
Meanwhile Eurydice tries to find out more about this hush-hush relative. The result is a couple of contradictory stories of family guilt, trauma and correction facilities about Sabazius’ birth and childhood. They cannot be both true, but they share skeletons in the cupboard which nobody wants to air.
Gradually Orpheus realizes that the night club he plays in, and which has been keeping him at the threshold of poverty, is owned by his alleged benefactor Sabazius. The TV channel he has started working for is by no means a free territory of the spirit: it is serving a number of undeclared agendas, and is owned by Sabazius too. Behind his easy-going, handsome face, Sabazius has a second one, which is cruel and unforgiving. Rich as Sabazius is, some of his businesses leave a trail of blood behind them. Yet Orpheus finds out that no matter how powerful and unruly Sabazius is, he is controlled by someone else who made him what he is.
Orpheus gets trapped in an underground maze of hidden relationships. His hopes for a better future are gone, his musical career is falling into pieces. Eurydice disappears from his life and he tries to bring her back. Searching for her, he goes once again to Sabazius who seems at equal ease with both the elite and the underworld; he could be responsible for her disappearance or perhaps help. He tells Orpheus about a secret elite gathering where he can get some answers to his questions. Orpheus goes there and searches the crowd but instead of finding Eurydice he finds his father, waiting for a carefully prepared reunion with his prodigal son. Their meeting is a disaster. The gathering gets wild in an ugly kind of way and Orpheus learns more than he ever wanted to know.
Finally Sabazius, who cannot be held in check for long, switches sides and helps Orpheus out, but breaking his former bonds gets him brutally murdered. Orpheus is once again together with Eurydice and tries not to dig into her recent past. But he knows that sooner or later he will turn back for a closer look.
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URLs in this post:
[1] Bio: #bio
[2] Synopses: #syn
[3] Excerpts: #ex
[4] Critical Reviews: #cri
[5] Interviews: #int
[6] | Contact: #gen
[7] Related Links: #rel
[8] Contest for Contemporary Bulgarian Writers: http://ekf.bg/en/index.php?option=com_content&task=view&id=53&Itemid=10
[9] Hayden’s Ferry Review, Issue #51: http://haydensferryreview.blogspot.com/2012/12/issue-51-in-dark.html?spref=fb
[10] Blind Date: https://www.contemporarybulgarianwriters.com/wp-content/uploads/2011/06/Blind-Date.pdf
[11] Sabazius: https://www.contemporarybulgarianwriters.com/wp-content/uploads/2012/09/Kristin-Dimitrova_Sabazius.pdf
[12] Sabazius Reviews: https://www.contemporarybulgarianwriters.com/downloads/reviews/kristindimitrova_sabazius-reviews.pdf
[13] file:///D:/My%20Documents/Arhiv_Obsht/Sabacio_casa_del_tiempo_eV_num_41_71_72.pdf: https://www.contemporarybulgarianwriters.comfile:///D:/My%20Documents/Arhiv_Obsht/Sabacio_casa_del_tiempo_eV_num_41_71_72.pdf
[14] http://metropolifixion.com/2018/02/05/un-destino-cifrado/: http://metropolifixion.com/2018/02/05/un-destino-cifrado/
[15] https://www.lja.mx/2017/05/plan-mana-a-lomo-palabra/: https://www.lja.mx/2017/05/plan-mana-a-lomo-palabra/
[16] https://www.siempre.com.mx/2017/02/un-artista-en-un-pais-corrupto/: https://www.siempre.com.mx/2017/02/un-artista-en-un-pais-corrupto/
[17] https://derhotlistblog.net/2021/01/07/kristin-dimitrova-wenn-du-ankommst-ruf-mich-an-ink-press/: https://derhotlistblog.net/2021/01/07/kristin-dimitrova-wenn-du-ankommst-ruf-mich-an-ink-press/
[18] Kristin Dimitrova, interview by Silviya Choleva: https://www.contemporarybulgarianwriters.com/3-interviews/kristin-dimitrova-interview-by-sylvia-choleva/
[19] New European Poets Interview: http://neweuropeanpoets.blogspot.com/2009/02/interview-with-kristin-dimitrova.html
[20] Brief interview with Wompo Diane Kendig: http://wompherence.proboards.com/index.cgi?board=bulp&action=display&thread=809
[21] Show the World How Good They Are by Francisca De Haan: http://books.google.bg/books?id=_ySQos14vAkC&pg=PA183&dq=kristin+dimitrova&hl=en&ei=dz0jTIOALcr6_AbBtqWCBQ&sa=X&oi=book_result&ct=book-preview-link&resnum=2&ved=0CCwQuwUwAQ#v=onepage&q=kristin%20dimitrova&f=false
[22] kristindim@hotmail.com: mailto:kristindim@hotmail.com
[23] kremena@locus-publishing.com: mailto:kremena@locus-publishing.com
[24] office@obsidian.bg: mailto:office@obsidian.bg
[25] Hayden’s Ferry Review, Issue #51: Black Pages by Kristin Dimitrova: http://piper-store.asu.edu/store/hfr
[26] http://granta.bg: http://granta.bg/authors/author/23
[27] http://neweuropeanpoets.blogspot.com/2009/02/kristin-dimitrova.html: http://neweuropeanpoets.blogspot.com/2009/02/kristin-dimitrova.html
[28] http://www.imdb.com/name/nm3341321: http://www.imdb.com/name/nm3341321
[29] http://www.amazon.com/Kristin-Dimitrova-Visit-Clockmaker-review/dp/B000LXSQU2: http://www.amazon.com/Kristin-Dimitrova-Visit-Clockmaker-review/dp/B000LXSQU2
[30] https://www.revistaaltazor.cl/kristin-dimitrova-2/: https://www.revistaaltazor.cl/kristin-dimitrova-2/
[31] https://www.dainikbangla.in/2020/05/kristin-dimitrova-1963.html?spref=fb&fbclid=IwAR31JpijokESoHWUgkydd7gz93bx1fbpMp_mSylHe-DJMyDs5ddm5It7z3A: https://www.dainikbangla.in/2020/05/kristin-dimitrova-1963.html?spref=fb&fbclid=IwAR31JpijokESoHWUgkydd7gz93bx1fbpMp_mSylHe-DJMyDs5ddm5It7z3A
[32] http://www.manifold.group.shef.ac.uk/issue23/KristinDimitrovaBM23.html: http://www.manifold.group.shef.ac.uk/issue23/KristinDimitrovaBM23.html
[33] https://issuu.com/casadeltiempo/docs/ct_59_flipbook: https://issuu.com/casadeltiempo/docs/ct_59_flipbook
[34] http://www.uam.mx/difusion/casadeltiempo/47-48_dic-ene_2018/index.html: http://www.uam.mx/difusion/casadeltiempo/47-48_dic-ene_2018/index.html
[35] http://www.wordswithoutborders.org/article/march-2017-bulgaria-visitors-assume-all-risk-kristin-dimitrova-annie-danche: http://www.wordswithoutborders.org/article/march-2017-bulgaria-visitors-assume-all-risk-kristin-dimitrova-annie-danche
[36] http://www.drunkenboat.com/db23/bulgaria-poetry/kristin-dimitrova: http://www.drunkenboat.com/db23/bulgaria-poetry/kristin-dimitrova
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